GermanGerman's film captures the growing absurdity of trying to rationalize life under a beast like Stalin: His principal characters' lives (and brains) have become as cluttered and confused with attempts to make sense of their own conduct in the face of tyranny as the crazy, stuffed-to-the-gills, attic-like warrens of rooms they live in.
The violence creeps into everyone's lives...a kind of emanation of the violence visited on them from the ...
is great because it captures so much of the absurdity and brutality they experienced. It shows you how they lived through it, and also how the subterfuges that helped them to do so could often turn around and bite them back - making their survival tactics ultimately useless against ...
The direction is supple and endlessly perceptive. The B&W cinematography is gorgeous. There are signs of the influence of Orson Welles' films circa the 1960s, and especially of Welles' The Trial, with its characters moving through the cluttered warrens of rooms in the Gare St. Lazare. The way German choses to view his characters also reminds me of Bela Tarr's work.